The Zimbabwe Sentinel-Media Centre

Telling the other story – MEDIA CENTRE

Lifestyle

Teenage prostitute being a hit in Kuwadzana

Rutendo Bamu:

Kuwadzana is a Shona word with deep meaning; it literally means staying harmoniously in the community. However, this has not been true for Ruvimbo (14) who joined the oldest profession – prostitution – after she fell pregnant at a tender age of 13.

The incident infuriated her parents to the extent that they chased her away, forcing the young teenager to start fending for herself through prostitution, a trade that only banks on age and physical beauty.

Ruvimbo is now a mother to a six month-old baby, pushing her to sell herself more to males so that she can feed not only herself but also the new addition to her family. To maximise on her earnings, she now leaves behind her child locked the one-roomed lodgings as she goes to Kuawadzana 6 shops to solicit for clients.

 “I was impregnated when I was doing Form 1 and my parents were very angry, so they said I was no longer their child and told me to leave their house. I was clueless, I didn’t know what to do; I just went to the bar and started making money from there. Yes, I started selling my body whilst I was pregnant.

“I raised the money for my rent and started staying here. I managed to buy preparation for my child through that way. It becomes my daily routine, now I leave my child sleeping at home so that I go and work. That’s how I will have to put food on the table for my child,” explained Ruvimbo, with tears in her eyes.

She told ZimSentinel that clients are from all age groups, but she prefers older men “who pay much better compared to their younger counterparts”.

Underage prostitution is a prostitution of a minor or a person under the legal age of consent, which is 16 years in Zimbabwe. It usually manifests in the form of sex survival in which the child engages in sexual activities to procure basic essential such as food and shelter.

Besides parents’ bitterness, the current economic situation in Zimbabwe has resulted in many children engaging in prostitution as a way of meeting their material needs. The deepening economic crisis is causing men to be insensitive and take advantage of poverty ravaged young girls to sexually exploit them.

“Men are taking advantage of these desperate kids and use them, spreading diseases. This is as a result of the economic challenges, they know even a small amount is very important to a desperate kid. This is really bad, the government should intervene”, said a Kuwadzana resident, Loveness Shoko

It is a criminal case prostituting with a child of that age, but there are no cases of any old men arrested for that offense yet it is being practiced daily.

Ruvimbo’s landlord, Rudo Mutarire said the government should swoop and arrest pedophiles, who are targeting young girls because what they are doing is just the same as raping a minor.

She also urged the government and all organisations that deal with girl child to assist children who are in trouble by giving them loans rather than leaving them risking their lives.

An elderly Kuwadzana resident, who identified herself as Gogo Zviko said teenagers of this era need to be educated on dangers of indulging in sex at a tender age and those parents should not neglect their children because of mistakes they have made, but rather educate them the right way.

Ends//

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Chief Editor: Earnest Mudzengi Content Editor: Willie Gwatimba
Entertainment

Netflix and UNESCO have partnered to launch an innovative short film competition on ‘African Folktales, Reimagined’ across Sub-Saharan Africa. Winners of the competition will be trained and mentored by industry professionals and provided with a US$75,000 production budget to create short films that will premiere on Netflix in 2022 as an “Anthology of African folktales”. One key aim of this competition is to discover new voices and to give emerging filmmakers in Sub-Saharan Africa visibility on a global scale. We want to find the bravest, wittiest, and most surprising retellings of some of Africa’s most-loved folktales and share them with entertainment fans around the world in over 190 countries. It is important that the film sector acts to ensure the voices of Africa are heard, by supporting the emergence of diverse cultural expressions, putting forth new ideas and emotions, and creating opportunities for creators to contribute to global dialogue for peace, culture and development. -Audrey Azoulay, UNESCO Director-General. The competition, which will be administered by Dalberg, will open on 14 October 2021 until 14 November 2021. Each of the 6 winners will receive a production grant of US$75,000 (through a local production company) to develop, shoot and post-produce their films under the guidance of Netflix and industry mentors to ensure everyone involved in the production is fairly compensated. In addition, each of the 6 winners will also receive $25,000. -Ted Sarandos, Co-CEO and Chief Content Officer, Netflix UNESCO and Netflix both strongly believe in the importance of promoting diverse local stories, and bringing them to the world. They recognize that many emerging filmmakers struggle with finding the right resources and visibility to enable them to fully unleash their talents and develop their creative careers. This competition aims to address these issues and enable African storytellers to take a first step towards showcasing their content to a global audience. -Ernesto Ottone R., UNESCO Assistant Director-General for Culture This partnership will also help create sustainable employment and encourage economic growth and it will therefore contribute to the achievement of the 2030 Sustainable Development Agenda, a series of targets established by the United Nations which aims to end global poverty in all its forms by the end of this decade. This film competition will also help reduce inequalities by facilitating access to global markets and by guaranteeing dignified working conditions. All of these are key goals within the 2030 Agenda. Africa has a rich storytelling heritage and a wealth of folktales that have been passed down for generations. When you marry these very local stories with Africa’s emerging talent, there is no limit to fresh new stories to connect people with African cultures and bring the world that much closer to each other. -Ben Amadasun, Netflix Director of Content in Africa For the first round, applicants will be required to submit a synopsis of their concept (no more than 500 words) as well as links to a recent CV and a portfolio/evidence of any past audiovisual work they have produced. Applications can be submitted via www.netflix-growcreative.com/unesco from October 14th at 16:00 CET and will close on November 14th, 2021 at 13:59 PM CET. For more information about the application process, please visit www.netflix-growcreative.com/unesco Media contacts: Tom Burridge, UNESCO; te.burridge@unesco.org(link sends e-mail) Mokgadi Seabi, Netflix; mokgadi@netflix.com Editors’ Notes: About The Application process: How to apply: Candidates will need to submit a synopsis of their concept (no more than 500 words) in a Creative Statement as well as a link to a recent CV and a portfolio of any past audiovisual work they have produced on netflix-growcreative.com/unesco  Applications open Applications can be made via www.netflix-growcreative.com/unesco from October 14th. They will close on November 14th, 2021 at 11:59 PM (CET).  Eligibility Criteria: The competition is open to individuals seeking to venture into feature film development and production. Applicants must have a minimum of 2 years and a maximum of 5 years of demonstrable professional experience in the audio-visual industry. Applicants must have developed and produced 1 to 2 theatrical feature films, television fiction, documentaries, or 2-3 short films and/or commercials. Candidates must be a citizen of a Sub-Saharan African country and currently residing in Sub-Saharan Africa to apply. Applicants must be 18-35 years old at the time of submission.  Shortlisted finalists: We’ll announce our top 20 finalists in January who will then be invited to a “How to Pitch to Netflix” workshop. These workshops will give candidates the chance to prepare, polish, and present their film concepts with the help of industry experts. The Netflix and UNESCO judging committee will then mentor six winners to develop a 12 to 20-minute short film.   TIMELINE:  October 2021 – Application portal opens on October 14th  November 2021 – Applications close on November 14th  January 2022 – Announcement of Top 20 finalists  January 2022 – Workshop on “How to Pitch to Netflix” for shortlisted candidates  February 2022- Shortlisted candidates invited to pitch final entries to mentors  February 2022 – Final selection via a Netflix and UNESCO joint judging panel  February 2022 – Announcement of 6 winners  Spring/Summer 2022 – Development, production & post-production of films  September/October 2022 – Launch of 6 films on Netflix service